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Now it is today and again it starts to rain and once more I remember that sounds have colors and if I can recognize this one, if I can dredge it up from where it has long since been buried in the useless importance constricting my senses, then who knows where it will lead?

Serle Chapman, 'We The People'.

 

Bohemia Place is somewhere I discovered on my journey. It's nowhere extraordinary - just a square in Hackney, East London - its location and its name are remarkable. But the journey was a voyage of discovery back to my teens, when Queen music filled my living room - and my life. There are some  reasons why I made this journey so long after the relevant events - for example, some anniversaries fell at an opportune time and my daughter was herself approaching her teens... Here's the story of that journey, which I started writing for on my site 'Now I'm Here' - now-im-here.com. Then the Queen and Paul Rodgers tour came together - right there in Hackney, which strangely  had its own connection with my past...

As It Began - About ‘somedayoneday’ – Author of this Site.

15 Jan 05

‘somedayoneday’ was born between the Ides of March and St. Patrick’s Day in a little box at the bottom of the Hillside in the central Essex town of Billericay, which was immortalised in a song by Ian Dury and The Blockheads.* She grew up there in the ‘you’ve never had it so good era’ of the early to mid-sixties, very soon becoming aware of a world of fierce controversy about men (notably the Beatles) having long hair.

At the age of six, her family moved from Billericay to the North-East London suburb of Wanstead. It was during her teenage years at the City of London School for Girls that her taste for cosmopolitan life developed. ‘My friends and I used to hang around Capital Radio’ she said. She commuted on the Underground to school every day, and it was in the course of one such trip that a friend, who was, like her, a Queen fan, told her about their new release known as ‘Bohemian Rhapsody’. ‘Bearing in mind the longevity of the song, the day can now almost be paralleled with the idea of ‘Where were you when you heard about Kennedy?’ so it’s quite appropriate that I remember it! I don’t remember too much about hearing the song myself for the first time – just ‘wow’ – it was like nothing I’d ever heard before, and I knew it would be big. But I’d long trusted this particular friend’s judgment implicitly. We listened to all the same music together. 

 I have a ‘Time’ Magazine history of the century and the seventies appear with the title ‘Limits’ attached in contrast to the sixties Revolution. We started to have economic problems like the oil crisis and people didn’t have the luxury of being so radical. But this song didn’t accept those limits and set out to transcend them.

ww.roger-taylor.net

 ‘We were sort of getting off on ‘how far can we take this?’'  

                         Roger Taylor (Bohemian Rhapsody Documentary)

'somedayoneday’’s life was about to be affected by a huge tragedy, however. Her mother, to whom she was very close, developed cancer, and in a matter of months became seriously ill and died. ‘I’ve recently come to the conclusion that ‘Bohemian Rhapsody’ was sent to me for what I was about to go through’, she comments. ‘Its release immediately preceded that horrendous time and even now I still find in it common ground with my own inner torment’.

 

'Seaside Rendezvous' - my mother in her youth! 

  

Mama, thank you for who I am
Thank you for all the things I'm not
Forgive me for the words unsaid
For the times I forgot

Mama remember all my life
You showed me love, you sacrificed
Think of those young and early days
How I've changed along the way [along the way]

And I know you believed
And I know you had dreams
And I'm sorry it took all this time to see
That I am where I am because of your truth
And I miss you, yeah I miss you

Mama forgive the times you cried
Forgive me for not making right
All of the storms I may have caused
And I've been wrong, Dry your eyes [dry your eyes]

Cause I know you believed
And I know you had dreams
And I'm sorry it took all this time to see
That I am where I am because of your truth
And I miss you, yeah I miss you

Mama I hope this makes you smile
I hope you're happy with my life
At peace with every choice I made
How I've changed along the way [along the way]

Cause I know you believed in all of my dreams
And I owe it all to you, Mama

Il Divo, 'Mama'

Words and music by Josef Larossi, Andreas Romdhane, Savan Kotecha



                  

Mum and me in the garden at Wanstead, 1973 - I was 11!

 

But people die, and they can die young – don’t we who are Queen fans all know it? 

‘It’s more about the lack of support I received at the time I most needed it’ ‘somedayoneday’ explained. ‘This was the pill-popping seventies – ‘take a tablet and you’ll feel better’. In fact, taking tablets almost destroyed me. I was just left to get on with it’.

 This site has its origins in an auspiciously timed convergence of events at the end of 2002. ‘It was born out of my desire to acknowledge that what happened to me in my adolescence was genuinely awful and also cast far too long a shadow over my Queen 'fandom’' she states. ‘I was deeply involved in Queen’s music at the time and somehow it got caught up in this tragedy for years. On one level I’d got on with life, but on another I knew that the horror had never left me – it had, in fact, continued to haunt me, and at the age of forty I started a journey to expiate the injury of that time, which also involved writing about it’.

 The site contains many sections of Queen’s lyrics, reproduced to emphasise her own thoughts and ideas. ‘I wrote about what the songs mean to me, that’s all’, she explains. ‘The songs could have dated back to before, or after, mum’s passing. But one song which I’ve found difficult to put into context is ‘Somebody To Love’ because it stands on its own. The time of its release indicates that it should have been one of the songs in which I found particular cause for grief when returning to it.  But I only ever felt joy and optimism when I heard it, and there’s no way of explaining this – it probably lies in the essence of the song itself’.   

*’Billericay Dicky’

 

©2005 Now-Im-Here.com

The following pieces were written in mid-2004:

 

Killer Queen

 

                           

It was Christmas 2002, and I was watching the highlights of Her Majesty the Queen's Jubilee concert. It started with a certain well-known guitarist on the palace roof, playing the National Anthem on his 'Red Special'. I later found out that the neck of this home-made instrument contains a few worm-holes blocked up with matchsticks. Well, one of them must have come out to reveal that the worm-holes in the master stargazing musician's guitar are not terrestrial, but cosmic!  So that's how I found myself in a time-tunnel, being transported back to the past...

 

 

Over the next eighteen months, I was on a journey - the West-End musical which was being launched at the time of the 'Party at the Palace' put the Queen songs of my teenage years and beyond back into circulation - schoolchildren were singing them. It was time to listen once more...

 

The bell that rings inside your mind

Is challenging the doors of time....

 

Roger Taylor (A Kind of Magic)

 

 

 

Awaking from a dream, the whole of me

Met with the whole of you. In the silence

Not one word was left unspoken. We didn't

See eye to eye on everything

But in everything we are face to face.
Now nothing can ever part us....

 

 

 

 

 

 

 'NOW I'M HERE' - MY STORY

 

 

 

 

 

 

 

 

 

www.hitparade.ch

Here I stand

Look around around around...

But you won’t see me.

Now I’m here….

Now I’m there….

I’m just a….

Just a new man

Yes you made me live again….

 

(Now I'm Here)  Brian May

 

  This is my personal account relating how the influence of ‘We Will Rock You’ - the musical - started me on a cathartic 'journey' with Queen’s music which finally dispelled a 25-year-old ‘cloud’…

 

 

Somebody to Love

That's my mother. It's back to the summer 1977 when she was forty-nine and I was fifteen.

Whatever this world can give to me

It's you, you're all I see......

Whenever this world is cruel to me

I got you help me forgive.....

You're my best friend - (You're My Best Friend) John Deacon

She had been ill, with cancer of the colon, for some months. Up to that time, she had been an active, energetic woman who was never ill. She did so much for her children - my elder brother and me. Her mother also lived with us and our father.  Our home in north east London suburbia was not always harmonious but we had everything we needed and my mother was the rock of our household. One early August day that year, I returned from a holiday to the news that she was dead.

(For more about my mother, those days and other thoughts: 'No-One But You', below).

Stone Cold Crazy

My family and I were torn to pieces. But I was taking my 'O' levels the following summer and getting good results would be my epitaph to my mother. She felt she had missed out on her education and pulled out all the stops to ensure that I had the best schooling possible.

And life goes on

- Without you... - (No-One but You) Brian May

So I had to get on with life, but at a price. I started to have sleeping problems so I went to the doctor and was prescribed valium. I was never offered counselling – but only this powerful, addictive drug, which seemed to be handed out like smarties in those days.

Well, I got really good exam results, but in the process I had become a zombie. It was then, at the age of sixteen, that  I made a solemn vow that I would never touch any such tablets again. Any problem I might have in my future life, I thought, I would find another solution. It was a sensible resolution made with the determination of youth and the power of experience. I have therefore always stuck to it.

But in the grief, anger and guilt that I felt in my bereavement, I sacrificed something most dear to me on the altar of these feelings: I threw away the things that had mattered so much to me and had brought me so much joy - my collection of Queen LPs, (which consisted at that time of the first four). There was such a finality to this action; I think that I was feeling then that things could never be put right again, but that somehow doing this would help.

 

The slate will soon be clean

I'll erase the memories.....   (Save Me) Brian May

 

For me, Queen's music became embedded in a deeply painful time - later I would come to understand that this itself showed that the music was my great love...

I Can't Live With You (but I can't live without you)

I had been a fan of Queen since they broke on to the UK charts with the words

Fear me you Lords and Lady Preachers

I descend upon your earth from the skies…  (Seven Seas of Rhye) Freddie Mercury

 

If there ever was a group started out as they meant to carry on - the words were typical of their flamboyant and confident style, tinged with the exotic feature of a lead singer born in Zanzibar. As I was a drummer and vocalist in a school band, my favourite was Roger Taylor. I was an enthusiastic member of the fan club, through which I had started corresponding with a Japanese girl.

 After my mother's passing, I felt that the thing that made me feel most happy didn't belong in my world of sadness. It was not a constructive way of going about things, but I was young and had nobody to whom I could articulate my feelings. So that's how an estrangement from the music began - both self-imposed and long-lasting.

 It's important to remember that I never stopped listening, though, and I continued to hear Queen's music through airplay.

 

Everything I had to know

I heard it on my radio -  (Radio Ga-Ga) Roger Taylor

Of course, pop groups have always had a tendency to come and go, but I had chosen one that stayed around. Over the years, Queen continued to entertain so many people who were enjoying the music the way it was intended to be enjoyed.  As for me, even as the years passed I was afraid about becoming involved in it again. I was something of an extreme person - an 'all or nothing' - I knew that owning any of the newer stuff would put me on a road back to the earlier songs and I really didn't want to uproot those memories. It was fear, then, that kept this going, and I was more secure in this little 'no man's land' I had built around myself as a defence against unearthing my pain. 

However, even if I didn't feel I could stay close to the music, it continued to follow me, often with a resonance of its earlier meaning in my life. For instance, I had completely forgotten, until recently when I saw the video on the 'Greatest Hits I' DVD, how the song 'Save Me' spoke so many volumes to me back in 1980.

Save me, Save me, Save me

I can't face this life alone

Save me, Save me, Save me

I'm naked and I'm far from home -  (Save Me) Brian May

Later on I travelled - I heard 'Under Pressure' as a student in China (see 'Under Pressure') and 'I Want to Break Free' whilst roaming around in Spain in 1984. Throughout the eighties, the group's appearances became less frequent - but were still triumphant - I saw the 'Live Aid' concert on TV in 1985, and remember 'One Vision' being released in the wake of it.

I was getting on with life, and was preoccupied with forever doing different things. And as for Queen, I suppose I came to resemble someone who's adhering an ancient taboo when it's scarcely remembered why it was imposed in the first place.

I have no heart, I'm cold inside

I have no real intent - ( Save Me) Brian May

 A few years later I saw Brian on TV talking about 'I Want It All' and then there was also the unforgettable 'Invisible Man' video of 1989.

By this time, I had met my husband-to-be and things were looking good. I remember marvelling 'Crumbs, are that lot STILL around?'   As the years had passed, I had come to think less and less about my history with Queen's music. I consider myself quite an adaptable person but frankly I had got stuck into a rut which had its roots in that momentous tragedy of my teens. And then, eventually, another tragedy struck - the world lost Freddie. Someone with so much talent dying so young!

I had spent the latter part of 1990 and the beginning of 1991 living in Germany. It's quite coincidental that, in the course of a 'phone conversation I remember having with my brother during that time, he mentioned that one of the tabloids had poked its cameras at Freddie on a London street and displayed pictures of him looking very ill. My brother was quite upset at this invasion of privacy and wanted to talk about it. I agreed with him that it was very wrong:

..they're gonna turn our lives into a freak show - (Scandal) Freddie Mercury


 I remember seeing, during visits home, the video of 'I'm Going Slightly Mad' and then later 'These Are the Days of Our Lives', and it was clear to see how ill Freddie was. So the news was not unexpected when, on the day before his passing, the official announcement was made that he had AIDS, and calling on people to fight it.

For me, it was no longer just a case of my being detached from the music  - the music itself would be lost to me too. But another event was about to change my life forever -  by this time, I was expecting my daughter - becoming a mother would inevitably push anything else to the periphery of my mind.   

No use in sitting and thinkin' on what you did

When you can lay back enjoy it through your kids -  (These Are the Days of Our Lives) Queen

I watched the Freddie tribute concert on TV the following year and that was it.  If anything, it was time to draw a line under it all. There was a whole new life to lead now...

So that's how it came to be that it wasn't until the new millenium and the advent of the musical 'We Will Rock You' that I returned once more to Queen's music. It was all about nostalgia - not as we now use the word - but in its original meaning; 'a longing for home'. What 'home' meant to me was an inner peace - a place where I felt I had finally sorted things through. That's how the journey of self-discovery began...

I guess I'm learning

I must be warmer now

I'll soon be turning

Round the corner now

Outside the dawn is breaking

But inside in the dark I'm aching to be free... - (The Show Must Go On) Queen

 

Breakthru

I acquired the first Queen albums I had owned in a quarter of a century - 'Live Magic', 'Platinum Greatest Hits' and 'Queen Rocks', (later on also 'The Miracle') and spent time over several months listening to them. Despite the long time lapse, I found that some of the songs still held deep associations with my mother's death. I had, after all, placed a big 'full stop' after those earlier, joyful times when I had been such a fan.

 

In my tangled state of mind

I've been looking back to find

Where I went wrong 

 

 (Too Much Love Will Kill You) Brian May/Frank Musker/Elizabeth Lamers

 

In particular, after seeing the musical for the first time, I came to realise that those two most uplifting anthems - 'We Will Rock You' and 'We are the Champions' of the finale were, despite the long time lapse, still buried somewhere within the mind-numbing narcosis in which I had first heard them; the originals had been released late in 1977 when I was taking valium.

 

God knows I want to break free... 

(I Want to Break Free) John Deacon

 

It's probably hard to imagine the beat of 'We Will Rock You' inside a 'cotton wool' head, but it's unreal.  Up till then, I had always looked upon this 'valium' episode in my life as a necessary evil, and a consequent backdrop to my refusal take any kind of 'conventional' sleeping tablets, even when I suffered from insomnia later on. But now I began to understand that the de-sensitising effects of the tablets at such a difficult time had been longer-lasting on an emotional level than I had ever realised. I'm so glad that the drugs never became more than a temporary solution. If I had become addicted I'm sure it would have wrecked so much for me.

 

So, despite my love of the musical, I would finish up going through more soul-searching before I could go back to see it for a second time, because this time I wanted to be involved in those rousing songs like other people in the audience were.

 

I'm walking a fine line

Between hope and despair

You may think that I don't care -

But I travelled a long road to

Get a hold of my sorrow -  (I Can't Live With You) Queen

 

Looking back, I guess that up to this point I had not been ready to make such a journey. It had been a long time, twenty five years since it had all happened - that was a landmark in a way. I had been getting on with my life - by 2002 I was forty. That is a significant age, although I didn't think so at the time, and I'd also had to get through the more recent problems I'd had.  It was now the right time - the catalyst was there - and I was at last able to listen again.

 

Breakthru these barriers of pain

Breakthru to the sunshine from the rain -  (Breakthru) Queen

When I did, I came to feel that I'd spent the years in a dream. I hadn't been 'alive' to the music -  that would have meant approaching it as a diversion or even an escape from my problems. I'd done the reverse in a way - it was kept at something of a distance. I was conscious that It felt safer that way.

Those days are all gone now but one thing is true

When I look, and I find I still love you -  (These Are the Days of Our Lives) Queen

 

The pain of losing a loved one is an expression of love, just as love was expressed in joy when the person was alive. There was a parallel in the way I had treated Queen's music. I know I never ignored it - instead it appeared that the songs, over the years, had finished up in a place where they were veiled in my feelings of grief, under which lay a deep love. When I re-discovered them there, it was not just a case of becoming re-united with 'old friends'. I then had to re-claim them for myself, for the present, and re-affirm my love for them, and that's how a long-forgotten confidence was restored. In this way the songs were no longer time-bound, but had formed themselves into a special 'soundtrack' to my thoughts, my feelings, my life.  

So through all those years Queen's music was being released I didn't have their albums to play at home, I didn't hear them play live. It's a source of regret and it's certainly not the way Freddie or the rest of the group meant it to be for the fans. But I now I've come to think 'so what' - I have the music back now, and that's such a joy - I went to see the musical again recently and this time I felt free to enjoy the finale. Fantastic!

 It's late, but not too late - (It's Late) Brian May

 What I went through all those years ago was utterly devastating and it's not right to pretend otherwise. Youth can show resilience, but what happens in youth can leave its mark. You can lead a full life, you can be flying in all directions, you can have a strong faith and yet still not be truly at peace with yourself.

I'm holding on to life with you
'Cos life without you just won't do - (Driven by You) Brian May

These Are the Days of Our Lives

The best analogy I can think of by way of explanation is this: You lose someone so close so young, then your house is in darkness. After a while, the lights start to come back on one by one. But still one small light deep inside remains dim. You know you should get down to fixing it but it's a lot of trouble and you think you can see well enough without making the adjustment. However, when something finally forces you to get the light working properly again, you stand back and realise that the whole house never looked quite right until then.

Surrender your ego, be free, be free to yourself - (Innuendo) Queen

So is it just that a set of songs once made me feel that way, and now they make me feel this way, and everything's okay? Well, that's nice, but not much of a story. One day not long ago a close friend asked me a challenging question: 'Did you really mourn your mother properly?' I was aghast - there had been times when I felt I'd been to hell and back - and wasn't it a gratuitous question after all this time anyhow? Then I had flashbacks of the palace roof and the concert itself - what HAD happened that day of the highlights that had never happened before and had started to change everything?

I had to be honest - nobody had come to that bereaved teenager and told her how to mourn. Or even said that feeling pain was okay. At that crucial time, I was back at school in a month, full speed ahead with my life - my exams- almost became a junkie in the process, and somewhere along the line, jettisoned my Queen albums because somehow or other it was necessary. In these recent months when my daughter's not been around, I've played the songs and cried my eyes out...If there's one word for what I have now that I didn't have before, it's exoneration.

There have also been tears of another kind - tears of laughter at those seventies pictures in the Greatest Hits I DVD - the way they used to look! I knew when this happened that there was no going back - at one time, looking at those pictures would only have meant one thing -  evoked one memory.

It may appear that I remember those events of twenty seven years ago as if it were yesterday – sometimes it seems that it was. Furthermore, treatments and technology may have moved on, but cancer is still affecting people now, just as much a nightmare as it was for me then.

Life can throw up all different kinds of problems, but it's the quality of personal relationships that matters most of all. We should remember that friends can be the most helpful people.

It's not easy love,  but you've got friends you can trust

Friends will be friends

When you're in need of love they give you care and attention

Friends will be friends

When you're through with life and all hope is lost

Hold out your hand 'cos friends will be friends - right till the end - (Friends Will Be Friends) John Deacon, Freddie Mercury   

 

When I lost my mother, I lost someone who could never be replaced in my life. She lives on in my heart. Fourteen years later, we lost Freddie. He could never be replaced within Queen, although his legacy lives on; that is, his contribution to a group of four human beings. The four heads together on ‘Queen II’ in 1974 eventually merged into the four-heads-in-one of ‘The Miracle’ in 1989.  En route Queen hopped on to lot of people’s life journeys - I’m just one of them - and mine was a story I wanted to tell.

AND THERE YOU HAVE IT...

-  (I'm Going Slightly Mad) Queen


 

  

Now I'm here

Think I'll stay around...                                                 (Now I'm Here) Brian May

 

 

 

 

 

      

                                         

Some day, One Day (from Queen II, 1974)  by Brian May

 You never heard my song before the music was too loud
But now I think you hear me well for now we both know how
No star can light our way in this cloud of dark and fear
But some day one day...

Funny how the pages turn and hold us in between
A misty castle awaits for you
And you shall be a Queen...
Today the cloud it hangs over us and all is grey
But some day one day...

When I was you and you were me and we were very young
Together took us nearly there, the rest may not be sung
So still the cloud it hangs over us and we're alone
But some day one day...
We'll come home

 Ode to Queen (2004)

You came to a place where no-one else went

That no-one else touched, that's what you all meant

 

Eternal our spirit but mortal our breath

So young and yet knowing the trauma of death

 

A part of me died along with her that day

With 'life just begun and it all thrown away'

 

'Anywhere the wind blows', it's true

'It doesn't matter' as I always had you

 

Though for a long time I just didn't see

A memory was buried so deep within me

 

My tears are my freedom; now I comprehend

That, by your returning, 'as it began' it will end.

 

No-One But You

About my mother, those times and later, and some thoughts...

For the first time I'm going to write about my mother's illness and death in terms of the effect it has had on my life. It is, of course hypothetical to imagine what would have happened had she lived. However, after all these years, I feel able to put my thoughts together about that part of my life and appraise it in a way which I hope will be helpful to others.

 

My mother was not ill for long compared to some cancer cases - about eighteen months in all. However, she was never told at first that she had cancer. I was also never told. It was the policy in those days - they felt that people would hear a death sentence and give up. But my mother wasn't like that and I think people should be treated with honesty because, if the person is never going to recover, they need to plan and make use of their time in a practical way. Also, my mother was the sort of person who was so selfless that she had a tendency to say 'don't worry about me, I'll be alright' and carry on busying herself about others, especially my brother and me. As she was told that she'd had a bowel ulcer, she didn't return very promptly to the doctor when she started to feel unwell again some weeks after her operation, by which time the cancer was too far advanced. Had she known she had cancer, she would have been more conscientious about this. She finally found out when she was sent to the Hamilton Fairley ward of Hackney Hospital. Gordon Hamilton Fairley was a cancer specialist who had been killed by and IRA bomb so his name had been in the news. I was also told around this time - only a matter of months before her death. I attended a girls' school where some of my classmates were the daughters of doctors. They had heard my story over the previous few weeks and had re-told it at home. Their fathers had worked it out and told them the truth, but they dared not tell me. So the day I went into school and told them 'it's cancer', they replied 'well we kinda knew already, Alison'. So I not only felt deceived, but stupid as well.

 

Over the months, I nursed her as best I could. We became closer than ever. At times the illness had some harrowing effects when my mother lost so much weight and looked a lot older than a woman in her late forties. She must have been in a lot of pain but she didn't complain. She did start to look better and even though I was told that the illness was terminal I never really thought that she would die. When it happened I was so shocked, my family was completely torn up and I had nobody to turn to. It was all so contrary to my will and within our society we are often discouraged from expressing our feelings. Taking valium ensured that they were suppressed.  I was just expected to get on with it.  But the situation brought out the best in some other people. My headmistress, who had always come across as a cold woman, allowed me extra study time and told me that she had also lost her mother when she was fifteen; this created a bond between us. My school friends were very supportive although they couldn't fully understand.

I feel like no-one ever told the truth to me
About growing up and what a struggle it would be

(Too Much Love Will Kill You) Brian May/Frank Musker/Elizabeth Lamers

In fact, in the years to come, including my years at university, I didn't encounter anyone in my peer group who had had the same experience.  I spent the next seven years focusing on my education and passing exams right up to getting my degree. During this time and afterwards, I spent a lot of time travelling and in this respect I have led a very full life. But this early lesson in the transience of life made me feel adrift and I couldn't settle into any job for a long time. The other major problem was that I was lacking in confidence with no female mentor to guide me. Sometimes it still strikes me just how abnormally early it happened; for example, recently, when I bumped into former colleague of mine who's older than me who had just lost her mother.

 

My faith teaches me that we are all made in the image of God. This may be the reason why it's so distressing when we forget the face of a loved one. This can happen after their death. Losing sight of what that person would have wanted for us is also a separation from them. My mother was passionate that I should have a good education because she felt very strongly that she had missed out on this herself, having left school at fifteen because of domestic problems. She spent her money on ensuring that I had that rather than doing the things she wanted to to. This was why I felt guilt as well as grief after she died. But now I'm a mother myself I understand the sacrifices you make for your child. 

 

One last word - on 'getting over it' - I've heard 'two years' been banded about more than I care to mention. It's complete news to me - here I am after twenty-seven years only just in a position to write all this.  I wish I had been encouraged back then to express myself in the way I'm doing now. I had written poetry but that stopped too. Life has brought its joys, sorrows and problems on the way. At this point I hope to bring out more of my creative self and to devote as much as I can to the joy that can bring.

 

There's a face at the window

And I ain't never, never saying goodbye  - (No-one But You) Brian May

 

 

 

The Writing of 'Now I'm Here'

 

 

There are two factors concerning the motivation behind writing of this item that I'm holding back on. Maybe I'll have cause to reveal them one day.+ But for the rest: This summer I became determined to get my story down, about the positive contribution of the musical, and the special place Queen's music holds in my life. I considered a couple of other possibilities for a format when it occurred to me that it would be natural to insert sections of Queen's lyrics in the places where they belonged. The piece was all but finished when I stumbled on the lyrics of 'Some Day, One Day'*, which was something else - why had I spent the summer writing all this, when Brian had foretold it all in a four-minute song thirty years ago? Well, I thought, at least I got longer than the poor chap in 'We Will Rock You', even if I'm not nearly as famous! As this was my story, I thought it was appropriate to write a response, hence the 'Ode to Queen'.

The other items just rose up around this 'title track' until I had enough material to launch this site. Bringing all the threads of my life together was a daunting task on the face of it, but with a 'Queen framework' it became easier. Everyone's story is unique, but I realised that I should record some of my experiences at the end of the last century; we live in a world of radical change and it's now very much a case of my having had a first-hand knowledge of history, having lived where I did when I did.

So it's very much my site; a lot is personal, about my life, but is also rooted in my faith. My love of Queen has resulted in a site which not so much a fan site as a tribute site - a Queen 'soundtrack' plays throughout.

 

 


You can be anything you want to be, Just turn yourself into anything you think that you could ever be... - Queen (Innuendo)

My writing © 2004 Now-Im-Here.Com

Unless otherwise stated, pictures on this page from: www.queenzone.com, www.queencollector.com

        

 

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Bohemian Rhapsody - The  Legacy

I've long wanted to do my own 'take' on 'Bo Rhap'. I regard myself as one of the 'Bohemian Rhapsody generation' and am immensely proud of it. WE made it. Well, yes, there were these four fellas, their management, record company and others, but that's all been documented.

I was a London teenager, and a Queen fan, at the time of its release, and you really can't get any closer than that to the origins of the song's exceptional acclaim. We led, and the rest of the world followed...

Dedicated to:

Marion Jones, my loving mother, b. London 15 Oct 1927, d. 6 Aug 1977 of cancer

and

Freddie Mercury, lead singer of Queen and composer of 'Bohemian Rhapsody',

b. Zanzibar 5 Sep 1946, d. 24 Nov 1991 of AIDS.

 

'IF I'M NOT BACK AGAIN THIS TIME TOMORROW, CARRY ON, CARRY ON, 

AS IF NOTHING REALLY MATTERS...'

 

                                               

 

 

This song on first release topped the charts for several weeks at the end of 1975 and the start of 1976. It reminds me very much of my mother for various reasons, not the least because it’s the only Queen song I ever remember her expressing an opinion about – she thought it was unsuitable as a Christmas number one. This song, like other Queen songs, had a strong melody and you could hear the words - two of her criteria for the enjoyment of music. But in terms of Christmas being a time of joy and festivity, maybe she had a point: I’m now approaching the age that she was at the time and I think about her preparing for Christmas with lamentations like ‘Mama, life had just begun, and now I’ve gone and thrown it all away’, ‘I sometimes wish I’d never been born at all’ and 'so you think you can love me and leave me to die?' playing in the background. Then again, that’s nothing to some of the lyrics we get nowadays. The older generation back then might have needed some mental preparation for the co-existence of 

'Deck the halls with boughs of holly, Fa la la la la la, la la la la. Tis the season to be jolly..' and

I see a little silhouetto of a man, Scaramouch, scaramouch will you do the fandango...'

but teenagers are always out to push the boundaries of the acceptable, from one generation to the next. As for us, our seventies rebellion no longer involved the songs about free love and revolution as in the sixties, but the glorious and melodramatic torment of 'Bo Rhap'. Of course, when the song was re-released after Freddie’s passing in November 1991, again it happened – number one over Christmas. I really don’t know what my mother would have made of that.

The obvious thing to start off with is the length – six minutes in all.  If there had been another long single prior to this point, it was invariably faded early during airplay. However, this one demanded to be played in its entirety – stations had to be painstakingly careful if it was on their playlist in the slot leading up to the news, and radio DJs would very often have been able to fit in an extra cup of tea between disc spinning - for which they should have been grateful, really. Initially, it was one particular radio DJ - Kenny Everett - who relentlessly played the song. A former school friend of mine* (with whom I shared a love of Queen's music, also that of Genesis, and Wings), must have heard his show on Capital Radio; I met her at the station one morning, and she was full of enthusiasm about Queen's new single, nattering incessantly about it as we got on the train. Now what was it called again?

Was it sheer nerve, then, to release what some regarded as a hopelessly grandiose opus? It still has to be seen as a huge risk to have gone with it: Queen as a group, and Freddie in particular, were considered in some quarters as arrogant for releasing the offering after only a handful of chart successes. But I think you’re only proved arrogant if you turn out to be wrong, and, as we all know, they weren’t wrong at all – they were amazingly right. After all, we'd had the era of the rock opera, so why not have some operatic rock?

It was pioneering at the time to make a promotional video for a song, but in this case it was done for TV as the group were about to tour. In a way, the video has become an irremovable partner to the song – here, from the start, we had a ‘package’. There are two distinct sections to the video which alternate. One for the vocal pieces, starting off with the silhouettes of the four clouded in mysterious haze, and later on replicating visually by means of kaleidoscopic and cascading effects the audio mixing of the middle operatic section. (This part was so complex that it was played only as a recording during Queen’s live concerts). The other was for the rest, and show a stage performance.  Here appear the ostentatious costumes, which were not, after all, out of place in an era when Bowie, Abba and others were demonstrating different manifestations of sartorial madness.

Early in the new millennium the song was re-mixed to re-create it in surround sound. Brian the artist could remember how the harmonies fitted together. There's something of Brian the scientist to be witnessed as he runs through the various elements of the multi-track in a feature on the ‘Greatest Video Hits I’ DVD.  He holds Freddie's original track sheet decorated with scribbled doodles and notations showing the workings of Freddie’s brain – both chaotic-looking yet somehow ordered at the same time. Roger points out that Freddie originally noted the harmonies on the back of a ‘phone directory!

I have to say with sincerity that it came as a revelation to me that some people were struggling to make sense of 'Bo Rhap'. Is the meaning obscure? The whole thing has always been clear to me from the day it first entered my head as a thirteen year old – I just accepted it as it was, which may have had something to do with my age at the time. But would I care to present an explanation to anyone else?  Definitely not. On the other hand, does anyone need to make an effort to understand? On the face of it, some of the lines taken in isolation are impenetrable; maybe because they belong only within the whole. So take a journey through the landscape of the song – just witness its beauty; the evocation of every word, note and beat from the choral opening through to Roger’s high-pitched Galileos and then on to the Japanese gong at the finish. The fact is that Freddie said notoriously little about his creation – he appears to have wanted individuals to work out what it means to them. That's just what I - and countless others since - have done. And I believe that herein lies the secret of Bo Rhap's continuing peak popularity.

*Here's to Susan, my childhood friend who first told me about the Rhapsody!

 

Mid-Tour Musings

22  Apr 2005

Why? There was a question that the computer couldn’t answer. After it was fed in, the digital mechanism started to do its work in the normal way. But after a few minutes it became clear that it was ticking over longer than usual. Extended way beyond the limits of its programming, it soon became overheated, and, as humans in a similar situation might throw a ‘wobbly’, the electrics started to malfunction, emit smoke and finally explode.+

 My mother, a woman who never touched a cigarette, and, despite being a big worrier, had been essentially fit, healthy and active for almost all her life, breathed her last at the age of 49 in a cancer ward of Hackney Hospital* in the early hours of 

6 August 1977. In the same east London suburb – Hackney – a little over 27 years later, three rock musicians cement a partnership which will see the launch of a much hoped-for revival. The identical location of the two events was enough for me - I could never have any doubts. The seemingly endless and countless discussions about the wisdom of a tour, the use of the name ‘Queen’, ‘replacing’ Freddie, preserving Queen’s legacy etc. etc. were absolutely gratuitous to my mind from the start. This was meant to be.

 The Almighty hadn’t just sent me this sign, though – there was the significant time factor of fourteen years. 6 August 1977

24 November 1991.1  

28 March 2005.2 

 11 November 2004 was a day when there was an ‘explosion in the brain’ as Brian put it, the day of the Hall of Fame Awards at Hackney Empire when the idea of a Queen and Paul Rodgers tour, already spawned, reached the point of no return. That morning, on his website, Brian had announced the passing of a 14-year-old girl who was loved by very many – Vicki Moore – again, cancer. Through Vicki I had re-connected with my teenage self – the Queen fan who played in a band and also had a role model in the group. I was only a little older than her when I, too, was trying to make sense of the question which the computer couldn’t answer.

 And what of the intervening years? Well, after I lost mum, I disposed of it in my grief, buried it where the sun wouldn’t shine – that part of me that was Queen was closed for business. It’s all hard to explain. But it kept on turning up – here and there, reminding me of an increasingly distant time when it was 'pumping through my veins’3 – once upon a time I had had it, and it would keep on trying to get back there. ‘Ha-ha-ha hello!’ 4 - it it was teasing, but this was much later, at the point when its own life force started to ebb away. I wasn’t to regain it though, and eventually, itself broken-hearted, gave one last performance in honour of Freddie, its incomparable lead singer, whose life had, at and age close to my mother’s and after an equally wasting illness,  been cruelly cut short.

 Exactly a month after Queen’s first and last big appearance as a threesome, I gave birth to a beautiful daughter, who, I remember thinking, had at least been exposed to the music through the concert broadcast whilst still in the womb! But my moratorium continued – no going back. No Queen albums in the house – what was the point of it now anyway? I was oblivious to the 1995 release of the ‘Made In Heaven’ album. Whereas one death had led me to part company with it, the second had well and truly brought down the curtain.

              

Pictures I took of the Queen's Silver Jubilee, June 1977

Back in 1977 though, the other Queen had had a Jubilee. I was one of a privileged group from my school who had been allowed to spend that June day at a prime vantage point – within a building overlooking St. Paul’s Cathedral. 2002 – Jubilee no. 2. A familiar figure, with an even more familiar guitar, took up his own special vantage point and played. What’s all this, then?  I instantly thought of the band of my teens – that’s what Queen still were somehow – ‘frozen here on the ladder of my life’.5 A musical6 – right, I’ll go along and see it – I’ll get involved again. I’d never stopped admiring them after all. But it wasn’t that simple. The time machine was still damaged because over the years I’d failed to fix it. For the next few months I set about doing so – until, in the summer of 2004, I started work on this site, primarily set up to tell my story.

 So where others may have been sceptical or even dismissive of the tour at first – there were also those who believed in it from the start, but there have been many converts along the way – my faith in it was always unshaking and unshakable. I was blessed with the possession of an insight, the paradox being, of course, that this was a piece of good fortune whose source lay in a misfortune. ‘I hope this tour falls flat on its face’ someone wrote in Brian’s guest book – we love you too! But despite some fears that whatever they did, the press would eat them alive, most of the comments there were overwhelmingly positive.

 Then something else happened – there was German. Not only that of Thomas Zeidler, Austrian fan club member, long time Queen fan and journalist, but that of a number of positive reviews, which, since the tour hit German-speaking territory, I’ve been translating. This is my second language, and one I love. I started learning it at school when I was 14 – I studied it in a small, intensive class which led to the ‘O’ level in 2 years, finally obtained a university degree in it, later a post-graduate diploma, over the years also lived and worked in Germany, as well as using the language at work in the UK. But the roots of my knowledge lay in the time when I still had Queen – alongside the pain and struggle of my mother’s illness.

 So now I could put my knowledge of German to good use so that the world, being able to access English, could see how successful the tour was. Thomas was urged by popular request to write a tour progress review which I translated too. This was teamwork à la Queen. Also, I’d been sending the press review translations over to BM.Com – on one occasion I did two in one evening and mailed them over in the small hours. Shortly before 3 am, Jen uploaded them – I was clearly not the only one propping my eyes open with matchsticks! Okay, in a way it was ‘work’ but great fun, and something I hadn’t done for some time. It was a bit like Queen, back to their instruments again – back to ‘what we do’.7 So in Italy, when a great man,8 blessed with a fullness of years, who dedicated his life to God and helped change world history, passed away during Eastertide, the Halelujahs still ringing out, the tour of life carried on. Even when Paul developed a throat infection, Brian and Roger ‘grew wings’ to present more material than usual to rest him. Having dabbled in some words in French about Barcelona (the southern French would be near to travel to northern Spain), I started to grapple with Italian on fan forums, just to get a feel of those concerts.

 Otherwise, there’s been Thomas Zeidler’s site to visit for updates. ‘The downloads are up’ – (but why is it that the uploads are down?)!!! Concert info, venue capacity, set lists, Torrents, media, audio…

 Since Brixton, I’ve moved on. Never had I gone to a concert in the way  I went to that one - with a true sense of personal engagement and involvement. This has been life-changing. I’m looking forward to being back again - at the end of this current round of the tour – at Wembley.

 And oh yes, if there’s ever another time when I think of asking ‘why?’ I’ll remember that it’s not a question that you can ask a computer. 

 

1 The date of Freddie Mercury's passing

2 The date of the Brixton concert - the first of the tour

3 'Play The Game' by Queen (1980)

4 'The Invisible Man' by Queen (1989)

5 'Don't Let The Sun Go Down on Me' by Bernie Taupin 

(Elton John, 1974)

6 'We Will Rock You'

7 Roger Taylor: 'We're musicians, that's what we do'. 

8  Pope John Paul II

 

+ This idea was taken from an episode of the TV adventure series 'The Prisoner' starring Patrick McGoohan

* I noticed from the map that when walking from there to the Hackney Empire, one of the roads you might take en route is Bohemia Place!

 

 

The following was written after re-visiting Hackney in October 2005. I later discovered a letter from my mother, written in hospital, which showed that I had got the wrong hospital - she was at the Hackney Hospital, closed in 1995, not the nearby Homerton Hospital:

 

Time will heal everything

But what if time is the illness?

 

‘Wings of Desire’, (Screenplay by Wim Wenders and Peter Handke) 1987

 

 

While at the Queen Fan Club Convention, I listened to some of the instrumental tracks from the studio that Greg Brooks was playing, and on hearing ‘Great King Rat’ and ‘The March of the Black Queen’ from those early albums, I sang the vocal quietly to myself, and suddenly I was in my teens again – I know what I heard there, and am convinced that an adolescent hears with different ears from the rest of us – and now and again, I get flashbacks via Queen’s music to the memory of a sound long forgotten. ‘Tenement Funster’, for example, was a song that I had buried so deep for all those years that I could not remember it at all when I looked at the lyrics – I’d buried it all so deep! But when I got the CD of the album ‘Sheer Heart Attack’, which I’d played so much in my teens, around thirty years ago, I instantly knew it - I was suddenly transported back to that time, to the living room in northeast London suburbia where the record player stood, and making the ‘speed of light out of the place’ with Roger!

 

Everybody’s got a secret Sonny

Something that they just can’t face

Some people spend their whole lives trying to keep it

They carry it with them every step that they take

Til some day they just cut it loose…

 

Bruce Springsteen ‘Darkness On The Edge of Town’

 

Pieces of this story have returned to me bit by bit – and I’m sure I remember, with those four LPs in my hand, wanting to hold on to ‘A Night at the Opera’ but they all had to go somehow – this clearly wasn’t just a question of four pieces of vinyl. So now I’ve been looking at the recent tour – specifically its beginnings - as another piece which helps complete the jigsaw and I can’t help but have a sense of wonder over the whole thing.

 

In the play ‘Love in the Title’ by Hugh Leonard, which I saw recently, it’s said that life has to be lived forwards, but can only be understood backwards. Gloria Hunniford was on Parkinson the other night talking about the loss of her daughter Caron Keating, only 41, to cancer; she had written a book about it. One woman had written to her, having lost her son 33 years before, telling her honestly that it wouldn’t get better – but you get to live through it and around it. It’s certainly the case that nobody expects to outlive their child.

 

As a teenager, I seem to recall that the words ‘cancer’ and ‘terminal’ reached me at about the same time, and I wasn’t in a position to know the full meaning of either. It’s therefore only now that I have come to make any sense of all that happened when I lost mum and having had to spend my entire young adult life without her physical presence. Gloria Hunniford said that you’re never quite the same person again. But, as Director Michael Cabot’s note states in the programme of ‘Love in the Title’,  fundamentally you are, even though loss and bereavement do define your sense of self.

 

If you walk with me, tho' I know the road is long,
I'll get by with your love to make me strong.
More by far than a guiding star above,
I long for you,
Walk with me, oh my love.

The Seekers

 

So the journey on foot through Hackney only takes a few minutes but in terms of time it took 27 years – it’s as if something was taken from me wrongly all those years ago, and so it was put back in the very same place – not quite the same as before, because it had also undergone its own loss. That was partly a reason for starting this site – to show how for me, there had been a ‘Queen Death’ long before the one we all know about. I’ve never been more convinced of the need for me to keep this site going – I must have been spared to tell this tale for some reason.

   

Someone has drained the colour from my wings
Broken my fairy circle ring
And shamed the king in all his pride
Changed the winds and wronged the tides....       

 

Freddie Mercury, 'My Fairy King'


Regarding Bohemia Place itself, this is the only Bohemia ANYTHING in London. To show how rare the name is in Britain anyway, here's a list of street names containing 'Bohemia' from streetmap.co.uk:

Bohemia, Hemel Hempstead, Hertfordshire, HP2
Bohemia, Redlynch, Salisbury, SP5
Bohemia Chase, Leigh-On-Sea, Essex, SS9
Bohemia Cottages, Stalybridge, Cheshire, SK15
Bohemia Road, Hastings, East Sussex, TN34
Bohemia Road, St. Leonards-On-Sea, East Sussex, TN37
Bohemia Terrace, Blyth, Northumberland, NE24

Hackney Empire, where Queen and Paul Rodgers made their public debut, November 04:

Life Lovers

Splinting the worlds

Healing the broken

And the lame

Reach out to me

Give me your hands

We close the circuits of time

 

Buffy Sainte-Marie, ‘Eagle Man/Changing Woman’

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I can’t take it if you see me cry

I long for peace before I die

All I want is to know that you’re there

You’re gonna give me all your sweet

Mother Love

      Mother Love (Freddie Mercury/Brian May)

 

***********************************

 

 

 

All that is left from my teen 'Queen-mania',found early in 2006 when I moved:

My singles of 'Bohemian Rhapsody' (I always thought I'd kept that), 'Man from Manhattan' by Eddie Howell, produced by Freddie with Brian on guitar, and a picture of my Japanese penfriend (see above) whose name I don't remember!

 

© 2005/2006/2007

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