|
| |
The Works
[ Home ] [ The Works ] [ Innuendo ] [ Queen plus Paul Rodgers ] [ Action This Day ] [ Back Chat ] [ Teo Torriatte ] [ The Fairy Feller's Master-Stroke ] [ We Will Rock You - The Musical ] [ A Night at the Opera ] [ Save Me ] [ Hot Space ] [ Nevermore ] [ Made in Heaven ] [ Party ]
[ Schoolday Memories ] [ More of that Jazz ] [ Let Me Live ] [ The Sunflower ] [ Coronation Chicken ] [ The Tribute Concert ] [ Vicki Moore ] [ One Vision ] [ The Day That Changed Germany ]
Now it is today and again it starts to rain and once more
I remember that sounds have colors and if I can recognize this one, if I can
dredge it up from where it has long since been buried in the useless importance
constricting my senses, then who knows where it will lead?
Serle Chapman, 'We The People'.

Bohemia Place is somewhere I
discovered on my journey. It's nowhere extraordinary - just a square in Hackney,
East London - its location and its name are remarkable. But the journey was a
voyage of discovery back to my teens, when Queen music filled my living room -
and my life. There are some reasons why I made this journey so long after
the relevant events - for example, some anniversaries fell at an opportune time
and my daughter was herself approaching her teens... Here's the story of that
journey, which I started writing for on my site 'Now I'm Here' - now-im-here.com.
Then the Queen and Paul Rodgers tour came together - right there in Hackney,
which strangely had its own connection with my past...
As It Began - About ‘somedayoneday’
– Author of this Site.
15 Jan 05
‘somedayoneday’ was born between the Ides
of March and St. Patrick’s Day in a little box at the bottom of the Hillside
in the central Essex town of Billericay, which was immortalised in a song by Ian
Dury and The Blockheads.* She grew up there in the ‘you’ve never had it so
good era’ of the early to mid-sixties, very soon becoming aware of a world of
fierce controversy about men (notably the Beatles) having long hair.
At the age of six, her family moved
from Billericay to the North-East London suburb of Wanstead. It was during her
teenage years at the City of London School for Girls that her taste for
cosmopolitan life developed. ‘My friends and I used to hang around Capital
Radio’ she said. She commuted on the Underground to school every day, and it
was in the course of one such trip that a friend, who was, like her, a Queen
fan, told her about their new release known as ‘Bohemian Rhapsody’. ‘Bearing
in mind the longevity of the song, the day can now almost be paralleled with the
idea of ‘Where were you when you heard about Kennedy?’ so it’s quite
appropriate that I remember it! I don’t remember too much about hearing the
song myself for the first time – just ‘wow’ – it was like nothing I’d
ever heard before, and I knew it would be big. But I’d long trusted this
particular friend’s judgment implicitly. We listened to all the same music
together.
I have a ‘Time’ Magazine history of
the century and the seventies appear with the title ‘Limits’ attached in
contrast to the sixties Revolution. We started to have economic problems like
the oil crisis and people didn’t have the luxury of being so radical. But this
song didn’t accept those limits and set out to transcend them.

ww.roger-taylor.net
‘We were sort of getting off on ‘how
far can we take this?’'
Roger Taylor (Bohemian Rhapsody Documentary)
'somedayoneday’’s life was about to be
affected by a huge tragedy, however. Her mother, to whom she was very close,
developed cancer, and in a matter of months became seriously ill and died. ‘I’ve
recently come to the conclusion that ‘Bohemian Rhapsody’ was sent to me for
what I was about to go through’, she comments. ‘Its release immediately
preceded that horrendous time and even now I still find in it common ground with
my own inner torment’.
'Seaside Rendezvous' - my
mother in her youth!
Mama, thank you for who I am
Thank you for all the things I'm not
Forgive me for the words unsaid
For the times I forgot
Mama remember all my life
You showed me love, you sacrificed
Think of those young and early days
How I've changed along the way [along the way]
And I know you believed
And I know you had dreams
And I'm sorry it took all this time to see
That I am where I am because of your truth
And I miss you, yeah I miss you
Mama forgive the times you cried
Forgive me for not making right
All of the storms I may have caused
And I've been wrong, Dry your eyes [dry your eyes]
Cause I know you believed
And I know you had dreams
And I'm sorry it took all this time to see
That I am where I am because of your truth
And I miss you, yeah I miss you
Mama I hope this makes you smile
I hope you're happy with my life
At peace with every choice I made
How I've changed along the way [along the way]
Cause I know you believed in all of my dreams
And I owe it all to you, Mama
Il Divo, 'Mama'
Words and music by Josef Larossi, Andreas
Romdhane, Savan Kotecha
Mum
and me in the garden at Wanstead, 1973 - I was 11!
But people die, and they can die young – don’t
we who are Queen fans all know it?
‘It’s more about the lack of support I
received at the time I most needed it’ ‘somedayoneday’ explained. ‘This
was the pill-popping seventies – ‘take a tablet and you’ll feel better’.
In fact, taking tablets almost destroyed me. I was just left to get on with it’.
This site has its origins in an
auspiciously timed convergence of events at the end of 2002. ‘It was born out
of my desire to acknowledge that what happened to me in my adolescence was
genuinely awful and also cast far too long a shadow over my Queen 'fandom’'
she states. ‘I was deeply involved in Queen’s music at the time and somehow
it got caught up in this tragedy for years. On one level I’d got on with life,
but on another I knew that the horror had never left me – it had, in fact,
continued to haunt me, and at the age of forty I started a journey to expiate
the injury of that time, which also involved writing about it’.
The site contains many sections of Queen’s
lyrics, reproduced to emphasise her own thoughts and ideas. ‘I wrote about
what the songs mean to me, that’s all’, she explains. ‘The songs could
have dated back to before, or after, mum’s passing. But one song which I’ve
found difficult to put into context is ‘Somebody To Love’ because it stands
on its own. The time of its release indicates that it should have been one of
the songs in which I found particular cause for grief when returning to it. But
I only ever felt joy and optimism when I heard it, and there’s no way of
explaining this – it probably lies in the essence of the song itself’.
*’Billericay Dicky’
©2005 Now-Im-Here.com
|
The following pieces were written in mid-2004:
|
|
|
Killer
Queen
It
was Christmas 2002, and I was watching the highlights of Her
Majesty the Queen's Jubilee concert. It started with a certain
well-known guitarist on the palace roof, playing the National
Anthem on his 'Red Special'. I later found out that the neck of
this home-made instrument contains a few worm-holes blocked up
with matchsticks. Well, one of them must have come out to reveal
that the worm-holes in the master stargazing musician's guitar
are not terrestrial, but cosmic! So that's how I found
myself in a time-tunnel, being transported back to the past...
Over
the next eighteen months, I was on a journey - the West-End
musical which was being launched at the time of the 'Party at
the Palace' put the Queen songs of my teenage years and beyond
back into circulation - schoolchildren were singing them. It was
time to listen once more...
 |
The
bell that rings inside your mind
Is
challenging the doors of time....
Roger
Taylor (A Kind of Magic)
Awaking
from a dream, the whole of me
Met
with the whole of you. In the silence
Not
one word was left unspoken. We didn't
See
eye to eye on everything
But
in everything we are face to face.
Now nothing can ever part us....
|
 |
'NOW
I'M HERE' - MY STORY
|
|
www.hitparade.ch
|

|
Here
I stand
Look
around around around...
But
you won’t see me.
Now
I’m here….
Now
I’m there….
I’m
just a….
Just
a new man
Yes
you made me live again….
(Now
I'm Here) Brian May
|

|
|
|
|
|
This
is my personal account
relating how the influence of ‘We Will Rock
You’ - the musical - started me on a
cathartic 'journey'
with Queen’s music which finally dispelled a
25-year-old ‘cloud’…
|
|
|
|
|
Somebody
to Love
That's my mother. It's back to
the summer 1977 when she was forty-nine and I
was fifteen.
Whatever
this world can give to me
It's
you, you're all I see......
Whenever
this world is cruel to me
I
got you help me forgive.....
You're
my best friend - (You're My Best Friend) John
Deacon
She had been ill, with cancer
of the colon, for some months. Up to that
time, she had been an active, energetic woman
who was never ill. She did so much for her
children - my elder brother and me. Her mother
also lived with us and our father. Our
home in north east London suburbia was not
always harmonious but we had everything we
needed and my mother was the rock of our
household. One early August day that year, I
returned from a holiday to the news that she
was dead.
(For more about my mother,
those days and other thoughts: 'No-One But
You', below).
Stone
Cold Crazy
My
family and I were torn to pieces. But I was
taking my 'O' levels the following summer and
getting good results would be my epitaph to my
mother. She felt she had missed out on her
education and pulled out all the stops to
ensure that I had the best schooling possible.
And
life goes on
-
Without you... - (No-One but You) Brian May
So
I had to get on with life, but at a price. I
started to have sleeping problems so I went to
the doctor and was prescribed valium. I was
never offered counselling – but only this
powerful, addictive drug, which seemed to be
handed out like smarties in those days.
Well,
I got really good exam results, but in the
process I had become a zombie. It was then, at
the age of sixteen, that I made a solemn
vow that I would never touch any such tablets
again. Any problem I might have in my future
life, I thought, I would find another
solution. It was a sensible resolution made
with the determination of youth and the power
of experience. I have therefore always stuck
to it.
But
in the grief, anger and guilt that I felt in
my bereavement, I sacrificed something most
dear to me on the altar of these feelings: I
threw away the things that had mattered so
much to me and had brought me so much joy - my
collection of Queen LPs, (which consisted at
that time of the first four). There was such a
finality to this action; I think that I was
feeling then that things could never be put
right again, but that somehow doing this would
help.
The
slate will soon be clean
I'll
erase the memories..... (Save
Me) Brian May
For
me, Queen's music became embedded in a deeply
painful time - later I would come to
understand that this itself showed that the
music was my great love...
I
Can't Live With You (but I can't
live without you)
I had been a fan of Queen
since they broke on to the UK charts with the
words
Fear
me you Lords and Lady Preachers
I
descend upon your earth from the skies…
(Seven Seas of Rhye) Freddie Mercury
If
there ever was a group started out as they
meant to carry on - the words were typical of
their flamboyant and confident style, tinged
with the exotic feature of a lead singer born
in Zanzibar. As I was a drummer and vocalist
in a school band, my favourite was Roger
Taylor. I was an enthusiastic member of the
fan club, through which I had started
corresponding with a Japanese girl.
After
my mother's passing, I felt that the thing
that made me feel most happy didn't belong in
my world of sadness. It was not a constructive
way of going about things, but I was young and
had nobody to whom I could articulate my
feelings. So that's how an estrangement from
the music began - both self-imposed and
long-lasting.
It's
important to remember that I never stopped
listening, though, and I continued to hear
Queen's music through airplay.
Everything
I had to know
I
heard it on my radio - (Radio Ga-Ga)
Roger Taylor
Of course,
pop groups have always had a tendency to come
and go, but I had chosen one that stayed
around. Over the years, Queen continued to
entertain so many people who were enjoying the
music the way it was intended to be
enjoyed. As for me, even as the years
passed I was afraid about becoming involved in
it again. I was something of an extreme person
- an 'all or nothing' - I knew that owning any
of the newer stuff would put me on a road back
to the earlier songs and I really didn't want
to uproot those memories. It was fear, then,
that kept this going, and I was more secure in
this little 'no man's land' I had built around
myself as a defence against unearthing my
pain.
However,
even if I didn't feel I could stay close to
the music, it continued to follow me, often
with a resonance of its earlier meaning in my
life. For instance, I had completely
forgotten, until recently when I saw the video
on the 'Greatest Hits I' DVD, how the
song 'Save Me' spoke so many volumes to me
back in 1980.
Save
me, Save me, Save me
I
can't face this life alone
Save
me, Save me, Save me
I'm
naked and I'm far from home - (Save Me)
Brian May
Later on I
travelled - I heard 'Under Pressure' as a
student in China (see 'Under
Pressure') and 'I Want to Break Free'
whilst roaming around in Spain in 1984.
Throughout the eighties, the group's
appearances became less frequent - but were
still triumphant - I saw the 'Live Aid'
concert on TV in 1985, and remember 'One
Vision' being released in the wake of it.
I was
getting on with life, and was preoccupied with
forever doing different things. And as for
Queen, I suppose I came to resemble someone
who's adhering an ancient taboo when it's
scarcely remembered why it was imposed in the
first place.
I
have no heart, I'm cold inside
I
have no real intent - ( Save Me) Brian May
A few
years later I saw Brian on TV talking about 'I
Want It All' and then there was also the
unforgettable 'Invisible Man' video of 1989.

By this time, I had met my husband-to-be and
things were looking good. I remember
marvelling 'Crumbs, are that lot STILL
around?' As the years had passed,
I had come to think less and less about my
history with Queen's music. I consider myself
quite an adaptable person but frankly I had
got stuck into a rut which had its roots in
that momentous tragedy of my teens. And then,
eventually, another tragedy struck - the world
lost Freddie. Someone with so much talent
dying so young!
I
had spent the latter part of 1990 and the
beginning of 1991 living in Germany. It's
quite coincidental that, in the course of a
'phone conversation I remember having with my
brother during that time, he mentioned that
one of the tabloids had poked its cameras at
Freddie on a London street and displayed
pictures of him looking very ill. My brother
was quite upset at this invasion of privacy
and wanted to talk about it. I agreed with him
that it was very wrong:
..they're
gonna turn our lives into a freak show -
(Scandal) Freddie Mercury
I remember seeing, during visits home,
the video of 'I'm Going Slightly Mad' and then
later 'These Are the Days of Our Lives', and
it was clear to see how ill Freddie was. So
the news was not unexpected when, on the day
before his passing, the official announcement
was made that he had AIDS, and calling on
people to fight it.
For
me, it was no longer just a case of my being
detached from the music - the music
itself would be lost to me too. But another
event was about to change my life forever
- by this time, I was expecting my
daughter - becoming a mother would inevitably
push anything else to the periphery of my
mind.
No
use in sitting and thinkin' on what you did
When
you can lay back enjoy it through your kids
- (These Are the Days of Our Lives)
Queen
I
watched the Freddie tribute concert on TV the
following year and that was it. If
anything, it was time to draw a line under it
all. There was a whole new life to lead now...
So
that's how it came to be that it wasn't until
the new millenium and the advent of the
musical 'We Will Rock You' that I returned
once more to Queen's music. It was all about
nostalgia - not as we now use the word - but
in its original meaning; 'a longing for home'.
What 'home' meant to me was an inner peace - a
place where I felt I had finally sorted things
through. That's how the journey of
self-discovery began...
I
guess I'm learning
I
must be warmer now
I'll
soon be turning
Round
the corner now
Outside
the dawn is breaking
But
inside in the dark I'm aching to be free... -
(The Show Must Go On) Queen
|
Breakthru
I
acquired the first Queen albums I had
owned in a quarter of a century -
'Live Magic', 'Platinum Greatest Hits'
and 'Queen Rocks', (later on also 'The
Miracle') and spent time over several
months listening to them. Despite the
long time lapse, I found that some of
the songs still held deep associations
with my mother's death. I had, after
all, placed a big 'full stop' after
those earlier, joyful times when I had
been such a fan.
In
my tangled state of mind
I've
been looking back to find
Where
I went wrong
(Too Much Love
Will Kill You) Brian May/Frank Musker/Elizabeth
Lamers
In
particular, after seeing the musical
for the first time, I came to realise
that those two most uplifting anthems
- 'We Will Rock You' and 'We are the
Champions' of the finale were,
despite the long time lapse, still
buried somewhere within the
mind-numbing narcosis in which I had
first heard them; the originals had
been released late in 1977 when I was
taking valium.
God
knows I want to break free...
(I Want
to Break Free) John Deacon
It's
probably hard to imagine the beat
of 'We Will Rock You' inside a 'cotton
wool' head, but it's unreal. Up
till then, I had always looked upon
this 'valium' episode in my life as a
necessary evil, and a consequent
backdrop to my refusal take any kind
of 'conventional' sleeping tablets,
even when I suffered from insomnia
later on. But now I began to
understand that the de-sensitising
effects of the tablets at such a
difficult time had been longer-lasting
on an emotional level than I had ever
realised. I'm so glad that the drugs
never became more than a temporary
solution. If I had become addicted I'm
sure it would have wrecked so much for
me.
So,
despite my love of the musical, I
would finish up going through more
soul-searching before I could go back
to see it for a second time, because
this time I wanted to be involved in
those rousing songs like other people
in the audience were.
I'm
walking a fine line
Between
hope and despair
You
may think that I don't care -
But
I travelled a long road to
Get
a hold of my sorrow - (I Can't
Live With You) Queen
Looking
back, I guess that up to this point I
had not been ready to make such a
journey. It had been a long time,
twenty five years since it had all
happened - that was a landmark in a
way. I had been getting on
with my life - by 2002 I was forty.
That is a significant age, although I
didn't think so at the time, and I'd
also had to get through the more
recent problems I'd had. It was now
the right time - the catalyst was
there - and I was at last able to
listen again.
Breakthru
these barriers of pain
Breakthru
to the sunshine from the rain -
(Breakthru) Queen
When
I did, I came to feel that I'd spent
the years in a dream. I hadn't been
'alive' to the music - that
would have meant approaching it as a
diversion or even an escape from my
problems. I'd done the reverse in a
way - it was kept at something of a
distance. I was conscious that It felt
safer that way.
Those
days are all gone now but one thing is
true
When
I look, and I find I still love you
- (These Are the Days of Our
Lives) Queen
The
pain of losing a loved one is an
expression of love, just as love was
expressed in joy when the person was
alive. There was a parallel in the way
I had treated Queen's music. I know I
never ignored it - instead it appeared
that the songs, over the years, had
finished up in a place where they were
veiled in my feelings of grief, under
which lay a deep love. When I
re-discovered them there, it was not
just a case of becoming re-united with
'old friends'. I then had to re-claim
them for myself, for the present, and
re-affirm my love for them, and that's
how a long-forgotten confidence was
restored. In this way the songs were
no longer time-bound, but had formed
themselves into a special 'soundtrack'
to my thoughts, my feelings, my
life.
So
through all those years Queen's music
was being released I didn't have their
albums to play at home, I didn't hear
them play live. It's a source of
regret and it's certainly not the way
Freddie or the rest of the group meant
it to be for the fans. But I now I've
come to think 'so what' - I have the
music back now, and that's such a joy
- I went to see the musical again
recently and this time I felt free to
enjoy the finale. Fantastic!
It's
late, but not too late - (It's Late)
Brian May
What
I went through all those years ago was
utterly devastating and it's not right
to pretend otherwise. Youth can show
resilience, but what happens in youth
can leave its mark. You can lead a
full life, you can be flying in all
directions, you can have a strong
faith and yet still not be truly at
peace with yourself.
I'm
holding on to life with you
'Cos life without you just won't do -
(Driven by You) Brian May
These
Are the Days of Our Lives
The
best analogy I can think of by way of
explanation is this: You lose someone
so close so young, then your house is
in darkness. After a while, the lights
start to come back on one by one. But
still one small light deep inside
remains dim. You know you should get
down to fixing it but it's a lot
of trouble and you think you can see
well enough without making the
adjustment. However, when something
finally forces you to get the light
working properly again, you stand back
and realise that the whole house never
looked quite right until then.
Surrender
your ego, be free, be free to yourself
- (Innuendo) Queen
So
is it just that a set of songs once
made me feel that way, and now they
make me feel this way, and
everything's okay? Well, that's nice,
but not much of a story. One day not
long ago a close friend asked me a
challenging question: 'Did you really
mourn your mother properly?' I was
aghast - there had been times when I
felt I'd been to hell and back - and
wasn't it a gratuitous question after
all this time anyhow? Then I had
flashbacks of the palace roof and the
concert itself - what HAD happened
that day of the highlights that had
never happened before and had started
to change everything?
I
had to be honest - nobody had come to
that bereaved teenager and told her
how to mourn. Or even said that
feeling pain was okay. At that crucial
time, I was back at school in a month,
full speed ahead with my life - my
exams- almost became a junkie in the
process, and somewhere along the line,
jettisoned my Queen albums because
somehow or other it was necessary. In
these recent months when my daughter's
not been around, I've played the songs
and cried my eyes out...If there's one
word for what I have now that I didn't
have before, it's exoneration.
There
have also been tears of another kind -
tears of laughter at those seventies
pictures in the Greatest Hits I DVD -
the way they used to look! I knew when
this happened that there was no going
back - at one time, looking at those
pictures would only have meant one
thing - evoked one memory.
It
may appear that I remember those
events of twenty seven years ago as if
it were yesterday – sometimes it
seems that it was. Furthermore,
treatments and technology may have
moved on, but cancer is still
affecting people now, just as much a
nightmare as it was for me then.
Life
can throw up all different kinds of
problems, but it's the quality of
personal relationships that matters
most of all. We should remember that
friends can be the most helpful
people.
It's
not easy love, but you've got
friends you can trust
Friends
will be friends
When
you're in need of love they give you
care and attention
Friends
will be friends
When
you're through with life and all hope
is lost
Hold
out your hand 'cos friends will be
friends - right till the end -
(Friends Will Be Friends) John Deacon,
Freddie Mercury
When
I lost my mother, I lost someone who
could never be replaced in my life.
She lives on in my heart. Fourteen
years later, we lost Freddie. He could
never be replaced within Queen,
although his legacy lives on; that is,
his contribution to a group of four
human beings. The four heads together
on ‘Queen II’ in 1974 eventually
merged into the four-heads-in-one of
‘The Miracle’ in 1989. En
route Queen hopped on to lot of people’s
life journeys - I’m just one of them
- and mine was a story I wanted to
tell.
AND
THERE YOU HAVE IT...
-
(I'm Going Slightly Mad) Queen
|
|
| Now
I'm here
Think
I'll stay around...
(Now I'm Here) Brian May
|
|
|
|
|
Some
day, One Day (from Queen II, 1974) by Brian
May
You
never heard my song before the music was too loud
But now I think you hear me well for now we both know
how
No star can light our way in this cloud of dark and fear
But some day one day...
Funny how the pages turn and hold us in between
A misty castle awaits for you
And you shall be a Queen...
Today the cloud it hangs over us and all is grey
But some day one day...
When I was you and you were me and we were very young
Together took us nearly there, the rest may not be sung
So still the cloud it hangs over us and we're alone
But some day one day...
We'll come home
Ode
to Queen (2004)
You
came to a place where no-one else went
That
no-one else touched, that's what you all meant
Eternal
our spirit but mortal our breath
So
young and yet knowing the trauma of death
A
part of me died along with her that day
With
'life just begun and it all thrown away'
'Anywhere
the wind blows', it's true
'It
doesn't matter' as I always had you
Though
for a long time I just didn't see
A
memory was buried so deep within me
My
tears are my freedom; now I comprehend
That,
by your returning, 'as it began' it will end.
|
No-One
But You
About
my mother, those times and later, and some
thoughts...
For
the first time I'm going to write about my
mother's illness and death in terms of the
effect it has had on my life. It is, of course
hypothetical to imagine what would have happened
had she lived. However, after all these years, I
feel able to put my thoughts together about that
part of my life and appraise it in a way which I
hope will be helpful to others.
My
mother was not ill for long compared to some
cancer cases - about eighteen months in all.
However, she was never told at first that she
had cancer. I was also never told. It was the
policy in those days - they felt that people
would hear a death sentence and give up. But my
mother wasn't like that and I think people
should be treated with honesty because, if the
person is never going to recover, they need to
plan and make use of their time in a practical
way. Also, my mother was the sort of person who
was so selfless that she had a tendency to say
'don't worry about me, I'll be alright' and
carry on busying herself about others,
especially my brother and me. As she was told
that she'd had a bowel ulcer, she didn't return
very promptly to the doctor when she started to
feel unwell again some weeks after her
operation, by which time the cancer was too far
advanced. Had she known she had cancer, she
would have been more conscientious about this.
She finally found out when she was sent to the
Hamilton Fairley ward of Hackney Hospital.
Gordon Hamilton Fairley was a cancer specialist
who had been killed by and IRA bomb so his name
had been in the news. I was also told around
this time - only a matter of months before her
death. I attended a girls' school where some of
my classmates were the daughters of doctors.
They had heard my story over the previous few
weeks and had re-told it at home. Their fathers
had worked it out and told them the truth, but
they dared not tell me. So the day I went into
school and told them 'it's cancer', they replied
'well we kinda knew already, Alison'. So I not
only felt deceived, but stupid as well.
Over
the months, I nursed her as best I could. We
became closer than ever. At times the illness
had some harrowing effects when my mother lost
so much weight and looked a lot older than a
woman in her late forties. She must have been in
a lot of pain but she didn't complain. She did
start to look better and even though I was told
that the illness was terminal I never really
thought that she would die. When it happened I
was so shocked, my family was completely torn up
and I had nobody to turn to. It was all so
contrary to my will and within our society we
are often discouraged from expressing our
feelings. Taking valium ensured that they were
suppressed. I was just expected to get on
with it. But the situation brought out the
best in some other people. My headmistress, who
had always come across as a cold woman, allowed
me extra study time and told me that she had
also lost her mother when she was fifteen; this
created a bond between us. My school friends
were very supportive although they couldn't
fully understand.
I
feel like no-one ever told the truth to me
About growing up and what a struggle it would be
(Too
Much Love Will Kill You) Brian May/Frank Musker/Elizabeth
Lamers
In
fact, in the years to come, including my years
at university, I didn't encounter anyone in my
peer group who had had the same
experience. I spent the next seven years
focusing on my education and passing exams right
up to getting my degree. During this time and
afterwards, I spent a lot of time travelling and
in this respect I have led a very full life. But
this early lesson in the transience of life made
me feel adrift and I couldn't settle into any
job for a long time. The other major problem was
that I was lacking in confidence with no female
mentor to guide me. Sometimes it still strikes
me just how abnormally early it happened; for
example, recently, when I bumped into former
colleague of mine who's older than me who had
just lost her mother.
My
faith teaches me that we are all made in the
image of God. This may be the reason why it's so
distressing when we forget the face of a loved
one. This can happen after their death. Losing
sight of what that person would have wanted for
us is also a separation from them. My mother was
passionate that I should have a good education
because she felt very strongly that she had
missed out on this herself, having left school
at fifteen because of domestic problems. She
spent her money on ensuring that I had that
rather than doing the things she wanted to to.
This was why I felt guilt as well as grief after
she died. But now I'm a mother myself I
understand the sacrifices you make for your
child.
One
last word - on 'getting over it' - I've heard
'two years' been banded about more than I care
to mention. It's complete news to me - here I am
after twenty-seven years only just in a position
to write all this. I wish I had been
encouraged back then to express myself in the
way I'm doing now. I had written poetry but that
stopped too. Life has brought its joys, sorrows
and problems on the way. At this point I hope to
bring out more of my creative self and to devote
as much as I can to the joy that can bring.
|
There's
a face at the window
And
I ain't never, never saying goodbye - (No-one But
You) Brian May
|
|
|
The
Writing of 'Now I'm Here'
|
|
|
There are two factors concerning the motivation behind
writing of this item that I'm holding back on. Maybe
I'll have cause to reveal them one day.+ But for the
rest: This summer I became determined to get my story
down, about the positive contribution of the musical,
and the special place Queen's music holds in my life. I
considered a couple of other possibilities for a format
when it occurred to me that it would be natural to
insert sections of Queen's lyrics in the places where
they belonged. The piece was all but finished when I
stumbled on the lyrics of 'Some Day, One Day'*, which
was something else - why had I spent the summer writing
all this, when Brian had foretold it all in a
four-minute song thirty years ago? Well, I thought, at
least I got longer than the poor chap in 'We Will Rock
You', even if I'm not nearly as famous! As this was my
story, I thought it was appropriate to write a response,
hence the 'Ode to Queen'.
The other items just rose up around this
'title track' until I had enough material to launch this
site. Bringing all the threads of my life together was a
daunting task on the face of it, but with a 'Queen
framework' it became easier. Everyone's story is unique,
but I realised that I should record some of my
experiences at the end of the last century; we live in a
world of radical change and it's now very much a case of
my having had a first-hand knowledge of history, having
lived where I did when I did.
So it's very much my site; a lot is
personal, about my life, but is also rooted in my faith.
My love of Queen has resulted in a site which not so
much a fan site as a tribute site - a Queen 'soundtrack'
plays throughout.
|
My
writing © 2004 Now-Im-Here.Com
|
Unless
otherwise stated, pictures on this page from: www.queenzone.com,
www.queencollector.com
"
|
|
|
|
|
Bohemian Rhapsody -
The Legacy
I've long wanted to do my own 'take'
on 'Bo Rhap'. I regard myself as one of the 'Bohemian
Rhapsody generation' and am immensely proud of it. WE
made it. Well, yes, there were these four fellas, their
management, record company and others, but that's all
been documented.
I was a London teenager, and a Queen
fan, at the time of its release, and you really can't
get any closer than that to the origins of the song's
exceptional acclaim. We led, and the rest of the world
followed...
Dedicated
to:
Marion
Jones, my loving mother, b. London 15 Oct 1927, d. 6 Aug
1977 of cancer
and
Freddie
Mercury, lead singer of Queen and composer of 'Bohemian
Rhapsody',
b.
Zanzibar 5 Sep 1946, d. 24 Nov 1991 of AIDS.
'IF
I'M NOT BACK AGAIN THIS TIME TOMORROW, CARRY ON, CARRY
ON,
AS
IF NOTHING REALLY MATTERS...'
|
|
|
|
This song on first
release topped the charts for several weeks at the end
of 1975 and the start of 1976. It reminds me
very much of my mother for various reasons, not the
least because it’s the only Queen song I ever remember
her expressing an opinion about – she thought it was
unsuitable as a Christmas number one. This song, like
other Queen songs, had a strong melody and you could
hear the words - two of her criteria for the enjoyment
of music. But in terms of Christmas being a time of joy
and festivity, maybe she had a point: I’m now
approaching the age that she was at the time and I think
about her preparing for Christmas with lamentations like
‘Mama, life had just begun, and now I’ve gone and
thrown it all away’, ‘I sometimes wish I’d never
been born at all’ and 'so you think you can love me
and leave me to die?' playing in the background. Then
again, that’s nothing to some of the lyrics we get
nowadays. The older generation back then might have
needed some mental preparation for the co-existence
of
'Deck the halls with
boughs of holly, Fa la la la la la, la la la la. Tis the
season to be jolly..' and
I see a little
silhouetto of a man, Scaramouch, scaramouch will you do
the fandango...'
but teenagers are
always out to push the boundaries of the acceptable,
from one generation to the next. As for us, our
seventies rebellion no longer involved the songs about
free love and revolution as in the sixties, but the
glorious and melodramatic torment of 'Bo Rhap'. Of
course, when the song was re-released after Freddie’s
passing in November 1991, again it happened – number
one over Christmas. I really don’t know what my mother
would have made of that.
The obvious thing to
start off with is the length – six minutes in all.
If there had been another long single prior to
this point, it was invariably faded early during
airplay. However, this one demanded to be played in its
entirety – stations had to be painstakingly careful if
it was on their playlist in the slot leading up to the
news, and radio DJs would very often have been able to
fit in an extra cup of tea between disc spinning - for
which they should have been grateful, really. Initially,
it was one particular radio DJ - Kenny Everett - who
relentlessly played the song. A former school friend of
mine* (with whom I shared a love of Queen's music, also
that of Genesis, and Wings), must have heard his show on
Capital Radio; I met her at the station one morning, and
she was full of enthusiasm about Queen's new single,
nattering incessantly about it as we got on the train.
Now what was it called again?
Was it sheer nerve,
then, to release what some regarded as a hopelessly
grandiose opus? It still has to be seen as a huge risk
to have gone with it: Queen as a group, and Freddie in
particular, were considered in some quarters as arrogant
for releasing the offering after only a handful of chart
successes. But I think you’re only proved arrogant if
you turn out to be wrong, and, as we all know, they
weren’t wrong at all – they were amazingly right.
After all, we'd had the era of the rock opera, so why
not have some operatic rock?
It was pioneering at
the time to make a promotional video for a song, but in
this case it was done for TV as the group were about to
tour. In a way, the video has become an irremovable
partner to the song – here, from the start, we had a
‘package’. There are two distinct sections to the
video which alternate. One for the vocal pieces,
starting off with the silhouettes of the four clouded in
mysterious haze, and later on replicating visually by
means of kaleidoscopic and cascading effects the audio
mixing of the middle operatic section. (This part was so
complex that it was played only as a recording during
Queen’s live concerts). The other was for the rest,
and show a stage performance. Here appear the
ostentatious costumes, which were not, after all, out of
place in an era when Bowie, Abba and others were
demonstrating different manifestations of sartorial
madness.
Early in the new
millennium the song was re-mixed to re-create it in
surround sound. Brian the artist could remember how the
harmonies fitted together. There's something of Brian
the scientist to be witnessed as he runs through the
various elements of the multi-track in a feature on the
‘Greatest Video Hits I’ DVD. He holds
Freddie's original track sheet decorated with scribbled
doodles and notations showing the workings of Freddie’s
brain – both chaotic-looking yet somehow ordered at
the same time. Roger points out that Freddie originally
noted the harmonies on the back of a ‘phone directory!
I have to say with
sincerity that it came as a revelation to me that some
people were struggling to make sense of 'Bo Rhap'. Is
the meaning obscure? The whole thing has always been
clear to me from the day it first entered my head as a
thirteen year old – I just accepted it as it was,
which may have had something to do with my age at the
time. But would I care to present an explanation to
anyone else? Definitely not. On the other hand,
does anyone need to make an effort to understand? On the
face of it, some of the lines taken in isolation are
impenetrable; maybe because they belong only within the
whole. So take a journey through the landscape of the
song – just witness its beauty; the evocation of every
word, note and beat from the choral opening through to
Roger’s high-pitched Galileos and then on to the
Japanese gong at the finish. The fact is that Freddie
said notoriously little about his creation – he
appears to have wanted individuals to work out what it
means to them. That's just what I - and countless others
since - have done. And I believe that herein lies the
secret of Bo Rhap's continuing peak popularity.
*Here's
to Susan, my childhood friend who first told me about
the Rhapsody!
|
|
Mid-Tour Musings
22
Apr 2005
Why? There was a question that the
computer couldn’t answer. After it was fed in, the
digital mechanism started to do its work in the normal
way. But after a few minutes it became clear that it was
ticking over longer than usual. Extended way beyond the
limits of its programming, it soon became overheated,
and, as humans in a similar situation might throw a ‘wobbly’,
the electrics started to malfunction, emit smoke and
finally explode.+
My
mother, a woman who never touched a cigarette, and,
despite being a big worrier, had been essentially fit,
healthy and active for almost all her life, breathed her
last at the age of 49 in a cancer ward of Hackney
Hospital* in the early hours of
6
August 1977. In the same east London suburb – Hackney
– a little over 27 years later, three rock musicians
cement a partnership which will see the launch of a much
hoped-for revival. The identical location of the two
events was enough for me - I could never have any
doubts. The seemingly endless and countless discussions
about the wisdom of a tour, the use of the name ‘Queen’,
‘replacing’ Freddie, preserving Queen’s legacy
etc. etc. were absolutely gratuitous to my mind from the
start. This was meant to be.
The
Almighty hadn’t just sent me this sign, though –
there was the significant time factor of fourteen years.
6 August 1977.
24
November 1991.1
28
March 2005.2
11 November 2004 was a day
when there was an ‘explosion in the brain’ as Brian
put it, the day of the Hall of Fame Awards at Hackney
Empire when the idea of a Queen and Paul Rodgers tour,
already spawned, reached the point of no return. That
morning, on his website, Brian had announced the passing
of a 14-year-old girl who was loved by very many –
Vicki Moore – again, cancer. Through Vicki I had
re-connected with my teenage self – the Queen fan who
played in a band and also had a role model in the group.
I was only a little older than her when I, too, was
trying to make sense of the question which the computer
couldn’t answer.
And what of the intervening
years? Well, after I lost mum, I disposed of it in my
grief, buried it where the sun wouldn’t shine – that
part of me that was Queen was closed for business. It’s
all hard to explain. But it kept on turning up – here
and there, reminding me of an increasingly distant time
when it was 'pumping through my veins’3
– once upon a time I had had it, and it would keep on
trying to get back there. ‘Ha-ha-ha hello!’
4 - it it was teasing, but this was
much later, at the point when its own life force started
to ebb away. I wasn’t to regain it though, and
eventually, itself broken-hearted, gave one last
performance in honour of Freddie, its incomparable lead
singer, whose life had, at and age close to my mother’s
and after an equally wasting illness, been cruelly
cut short.
Exactly a month after Queen’s
first and last big appearance as a threesome, I gave
birth to a beautiful daughter, who, I remember thinking,
had at least been exposed to the music through the
concert broadcast whilst still in the womb! But my
moratorium continued – no going back. No Queen albums
in the house – what was the point of it now anyway? I
was oblivious to the 1995 release of the ‘Made In
Heaven’ album. Whereas one death had led me to part
company with it, the second had well and truly brought
down the curtain.

Pictures
I took of the Queen's Silver Jubilee, June 1977
Back in 1977 though, the other
Queen had had a Jubilee. I was one of a privileged group
from my school who had been allowed to spend that June
day at a prime vantage point – within a building
overlooking St. Paul’s Cathedral. 2002 – Jubilee no.
2. A familiar figure, with an even more familiar guitar,
took up his own special vantage point and played. What’s
all this, then? I
instantly thought of the band of my teens – that’s
what Queen still were somehow – ‘frozen here on the
ladder of my life’.5 A musical6
– right, I’ll go along and see it – I’ll get
involved again. I’d never stopped admiring them after
all. But it wasn’t that simple. The time machine was
still damaged because over the years I’d failed to fix
it. For the next few months I set about doing so –
until, in the summer of 2004, I started work on this
site, primarily set up to tell my story.
So where others may have been
sceptical or even dismissive of the tour at first –
there were also those who believed in it from the start,
but there have been many converts along the way – my
faith in it was always unshaking and unshakable. I was
blessed with the possession of an insight, the paradox
being, of course, that this was a piece of good fortune
whose source lay in a misfortune. ‘I hope this tour
falls flat on its face’ someone wrote in Brian’s
guest book – we love you too! But despite some fears
that whatever they did, the press would eat them alive,
most of the comments there were overwhelmingly positive.
Then
something else happened – there was German. Not only
that of Thomas Zeidler, Austrian fan club member, long
time Queen fan and journalist, but that of a number of
positive reviews, which, since the tour hit
German-speaking territory, I’ve been translating. This
is my second language, and one I love. I started
learning it at school when I was 14 – I studied it in
a small, intensive class which led to the ‘O’ level
in 2 years, finally obtained a university degree in it,
later a post-graduate diploma, over the years also lived
and worked in Germany, as well as using the language at
work in the UK. But the roots of my knowledge lay in the
time when I still had Queen – alongside the pain and
struggle of my mother’s illness.
So now I could put my
knowledge of German to good use so that the world, being
able to access English, could see how successful the
tour was. Thomas was urged by popular request to write a
tour progress review which I translated too. This was
teamwork à la Queen. Also, I’d been sending the press
review translations over to BM.Com – on one occasion I
did two in one evening and mailed them over in the small
hours. Shortly before 3 am, Jen uploaded them – I was
clearly not the only one propping my eyes open with
matchsticks! Okay, in a way it was ‘work’ but great
fun, and something I hadn’t done for some time. It was
a bit like Queen, back to their instruments again –
back to ‘what we do’.7 So in Italy, when
a great man,8 blessed with a fullness of
years, who dedicated his life to God and helped change
world history, passed away during Eastertide, the
Halelujahs still ringing out, the tour of life carried
on. Even when Paul developed a throat infection, Brian
and Roger ‘grew wings’ to present more material than
usual to rest him. Having dabbled in some words in
French about Barcelona (the southern French would be
near to travel to northern Spain), I started to grapple
with Italian on fan forums, just to get a feel of those
concerts.
Otherwise, there’s been
Thomas Zeidler’s site to visit for updates. ‘The
downloads are up’ – (but why is it that the uploads
are down?)!!! Concert info, venue capacity, set lists,
Torrents, media, audio…
Since Brixton, I’ve moved
on. Never had I gone to a concert in the way I
went to that one - with a true sense of personal
engagement and involvement. This has been life-changing.
I’m looking forward to being back again - at the end
of this current round of the tour – at Wembley.
And oh yes, if there’s ever
another time when I think of asking ‘why?’ I’ll
remember that it’s not a question that you can ask a
computer.
1
The date of Freddie Mercury's passing
2
The date of the Brixton concert - the first of the
tour
3
'Play The Game' by Queen (1980)
4
'The Invisible Man' by Queen (1989)
5
'Don't Let The Sun Go Down on Me' by Bernie Taupin
(Elton
John, 1974)
6
'We
Will Rock You'
7
Roger Taylor: 'We're musicians, that's what we
do'.
8
Pope John Paul II
+
This idea was taken
from an episode of the TV adventure series 'The
Prisoner' starring Patrick McGoohan
*
I noticed from the map that when walking from there to
the Hackney Empire, one of the roads you might take en
route is Bohemia Place!
The
following was written after re-visiting Hackney in
October 2005. I later discovered a letter from my
mother, written in hospital, which showed that I had got
the wrong hospital - she was at the Hackney Hospital,
closed in 1995, not the nearby Homerton Hospital:
Time
will heal everything
But
what if time is the illness?
‘Wings
of Desire’, (Screenplay by Wim Wenders and Peter
Handke) 1987
While
at the Queen Fan Club Convention, I listened to some of
the instrumental tracks from the studio that Greg Brooks
was playing, and on hearing ‘Great King Rat’ and ‘The
March of the Black Queen’ from those early albums, I
sang the vocal quietly to myself, and suddenly I was in
my teens again – I know what I heard there, and am
convinced that an adolescent hears with different ears
from the rest of us – and now and again, I get
flashbacks via Queen’s music to the memory of a sound
long forgotten. ‘Tenement Funster’, for example, was
a song that I had buried so deep for all those years
that I could not remember it at all when I looked at the
lyrics – I’d buried it all so deep! But when I got
the CD of the album ‘Sheer Heart Attack’, which I’d
played so much in my teens, around thirty years ago, I
instantly knew it - I was suddenly transported back to
that time, to the living room in northeast London
suburbia where the record player stood, and making the
‘speed of light out of the place’ with Roger!
Everybody’s
got a secret Sonny
Something
that they just can’t face
Some
people spend their whole lives trying to keep it
They
carry it with them every step that they take
Til
some day they just cut it loose…
Bruce
Springsteen ‘Darkness On The Edge of Town’
Pieces
of this story have returned to me bit by bit – and I’m
sure I remember, with those four LPs in my hand, wanting
to hold on to ‘A Night at the Opera’ but they all
had to go somehow – this clearly wasn’t just a
question of four pieces of vinyl. So now I’ve been
looking at the recent tour – specifically its
beginnings - as another piece which helps complete the
jigsaw and I can’t help but have a sense of wonder
over the whole thing.
In
the play ‘Love in the Title’ by Hugh Leonard, which
I saw recently, it’s said that life has to be lived
forwards, but can only be understood backwards. Gloria
Hunniford was on Parkinson the other night talking about
the loss of her daughter Caron Keating, only 41, to
cancer; she had written a book about it. One woman had
written to her, having lost her son 33 years before,
telling her honestly that it wouldn’t get better –
but you get to live through it and around it. It’s
certainly the case that nobody expects to outlive their
child.
As
a teenager, I seem to recall that the words ‘cancer’
and ‘terminal’ reached me at about the same time,
and I wasn’t in a position to know the full meaning of
either. It’s therefore only now that I have come to
make any sense of all that happened when I lost mum and
having had to spend my entire young adult life without
her physical presence. Gloria Hunniford said that you’re
never quite the same person again. But, as Director
Michael Cabot’s note states in the programme of ‘Love
in the Title’, fundamentally you are,
even though loss and bereavement do define your sense of
self.
If
you walk with me, tho' I know the road is long,
I'll get by with your love to make me strong.
More by far than a guiding star above,
I long for you,
Walk with me, oh my love.
The
Seekers
So
the journey on foot through Hackney only takes a few
minutes but in terms of time it took 27 years – it’s
as if something was taken from me wrongly all those
years ago, and so it was put back in the very same place
– not quite the same as before, because it had also
undergone its own loss. That was partly a reason for
starting this site – to show how for me, there had
been a ‘Queen Death’ long before the one we all know
about. I’ve never been more convinced of the need for
me to keep this site going – I must have been spared
to tell this tale for some reason.
Someone
has drained the colour from my wings
Broken my fairy circle ring
And shamed the king in all his pride
Changed the winds and wronged the
tides....
Freddie
Mercury, 'My Fairy King'
Regarding
Bohemia Place itself, this is the only Bohemia ANYTHING
in London. To show how rare the name is in Britain
anyway, here's a list of street names containing
'Bohemia' from streetmap.co.uk:
Bohemia,
Hemel Hempstead, Hertfordshire, HP2
Bohemia, Redlynch, Salisbury, SP5
Bohemia Chase, Leigh-On-Sea, Essex, SS9
Bohemia Cottages, Stalybridge, Cheshire, SK15
Bohemia Road, Hastings, East Sussex, TN34
Bohemia Road, St. Leonards-On-Sea, East Sussex, TN37
Bohemia Terrace, Blyth, Northumberland, NE24
Hackney
Empire, where Queen and Paul Rodgers made their public
debut, November 04:

Life
Lovers
Splinting
the worlds
Healing
the broken
And
the lame
Reach
out to me
Give
me your hands
We
close the circuits of time
Buffy
Sainte-Marie, ‘Eagle Man/Changing Woman’

I
can’t take it if you see me cry
I
long for peace before I die
All
I want is to know that you’re there
You’re
gonna give me all your sweet
Mother
Love
Mother Love (Freddie Mercury/Brian May)
***********************************

All that is left from my teen 'Queen-mania',found
early in 2006 when I moved:
My singles of 'Bohemian Rhapsody' (I
always thought I'd kept that), 'Man
from Manhattan' by Eddie Howell, produced by Freddie
with Brian on guitar, and a picture of my Japanese
penfriend (see above) whose name I don't remember!
|
© 2005/2006/2007
[ Home ] [ The Works ] [ Innuendo ] [ Queen plus Paul Rodgers ] [ Action This Day ] [ Back Chat ] [ Teo Torriatte ] [ The Fairy Feller's Master-Stroke ] [ We Will Rock You - The Musical ] [ A Night at the Opera ] [ Save Me ] [ Hot Space ] [ Nevermore ] [ Made in Heaven ] [ Party ]
[ Home ] [ Schoolday Memories ] [ More of that Jazz ] [ Let Me Live ] [ The Sunflower ] [ Coronation Chicken ] [ The Tribute Concert ] [ Vicki Moore ] [ One Vision ] [ The Day That Changed Germany ]
|
|
|